As a visual artist, my practice is rooted in the gathering of materials, narratives, and techniques from a variety of environments and contexts I encounter. Investigation, experimentation, and continuous learning are central to my creative process. These phases of exploration—of knowledge and craft—nourish and inform the evolution of my work.
I draw on diverse fields such as botany, agriculture, craft traditions, and geography, weaving together multiple forms of expertise and intuitive practices to reinterpret the materials, tools, and uses I come across. This hybrid and transdisciplinary approach allows me to shift between the roles of maker, researcher, and observer.
My works take on multiple formats, often presented as site-specific installations. I engage in printmaking, photographic processes, image-making, and the creation of objects, and occasionally develop performative gestures.
Through my practice, I seek to articulate relationships between ecology, landscape, and narrative, revealing them as spaces of potential, resilience, and imaginative renewal. I consider these intersections as fertile grounds for rethinking our ways of seeing, making, and inhabiting the world.